My partner Chris Seeley and I spent a few days in Barcelona this summer while we were touring Cataluña. Since our previous visit in 2004, Gaudi’s architectural masterpiece – the Sagrada Familia – had acquired a roof. Although there are still many more towers to be built, the body of the church is more or less complete; it has been consecrated by the Pope and services are regularly held there; hundreds of thousands of visitors troop though its porticos each year to wonder at it.
It is not a cathedral as many people think. Barcelona already has one of those in the old quarter of the city. It was conceived rather as a temple for the expiation of human sins; its full name is Basílica y Templo Expiatorio de la Sagrada Familia. Even before its completion it has been declared a UNESCO World Heritage Site – and with good reason for it is utterly unique and extraordinary: a wild modernist extravaganza of stone and glass. And yet…
And yet, sitting in the nave with my eyes drawn inexorably heavenward and afterwards visiting the more intimate crypt, I found myself much more drawn to the softer subterranean images of the Black Madonna than to the majestic pillars of stone above our heads. These two poems emerged over the next few days as I pondered on this experience.
Templo Expiatorio
It’s glorious one can’t deny,
This pile of carven stone:
A half completed masterpiece
Where God sits on his throne.
The columns rise like fluted trees
Towards the channeled light,
A ploy to make us raise our eyes
To something out of sight.
And thus we stay forever small,
A speck in some god’s eye,
To expiate imagined sins
Until the day we die.
But if we choose to look below,
There we’ll find another:
A Black Madonna in the crypt,
The Eternal Mother.
We don’t have to lift our gaze
To look into her face;
She holds us gently in her arms
And fills us with her grace.
Remember then you holy men
When you do speak of love,
A woman’s heart lies deep beneath
The soaring church above.
Lachryma Christi
There I was in the crypt,
Sitting quietly in the third row,
Trying to look contemplative,
When I noticed some flakes
Of red and pink and beige
Scattered on the front pew.
Two blood-red rose petals,
Like the tears (it is said)
Christ shed on the cross.
The other two petals though,
Were not what I’d expected;
Not petals at all – far from it.
One half-eaten potato crisp
And a soggy sweet wrapper:
Remains of a furtive snack.
But what if some small child,
Seeing the light – had given
Everything that they owned?
Had offered it all to the Lord
In a tumult of religious fervour?
A sacrifice beyond measure.
How do we know the value
Of anything in this world?